"When publishing was a matter of standing in front of a large enough audience and telling a story, publishing could be assayed by literally anyone. If a storyteller wanted to tell a story, he did so. If he was good enough at it, he got the accolades and respect of his audience, and perhaps even payment, in the form of food, shelter, etc. The developments of technology, beginning with written languages, continuing through such crude printing technologies as woodblock and hand-cast metal type, and eventually reaching block-long high-speed web-fed printing presses, took this immediate access away from the average storyteller. Now, in order to put his story in the hands of his audience, the storyteller had to do one of two things. He had to acquire a printing press, or he had to go to someone who had one.
"There were, perhaps unfortunately, more storytellers than the printers could handle, and they (like all industries) learned how to say no. The perceived function of the owners of the printing presses as a gatekeeper has its actual origin right there: the printers simply could not hope to publish everything. Nor could they hope to attract all the readers in the world, and in an attempt to differentiate their services from those of their competitors, they began to add what they perceived as value. They added editing. They added color. They added illustrations. And they added snobbery.
"But the question remains unanswered: do we want a gatekeeper to the public square? Do we want a not-so-disinterested third party telling us what we can and cannot read? Remember the fireside? Remember the storyteller who stood there, regaling his audience with the story of how he conquered a saber-tooth? Aren't we capable of deciding for ourselves whether we want to spend our time listening to him? I said that if he was good enough, he got respect and accolades. What I didn't say was that if he wasn't good enough, he got ignored. He lost his audience. He either stood by the dying fire alone and spoke on and on to nothing and nobody, or he went home and hoed his potatoes. His publishing career was over. Market forces did him in, not some gatekeepers somewhere, standing with crossed lances, turning him away."
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Levi Montgomery.
"The importance of gatekeepers does not lie in their ability to prevent bad books from being found, but in their ability to make the good ones easier to find."
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Response by Marion Gropen, co-moderator of the Self-Publishing list, followed by a spirited debate at TeleRead.
( Background to my entries )( Writing: If you're seeking software by which to convert e-books into the EPUB format . . . )( Mentoring: Quotations from my apprentice )( Simplicity: My diet )( Writing and Mentoring: The servant problem )( Writing: Lambda Literary Awards )( Writing: Final days of my publishing season )