Dec. 8th, 2016

"Risk" has received honors in the Rainbow Awards

My latest e-book, Risk (Dark Light), ended up with the following honors this year in the Rainbow Awards for LGBT literature:

Honorable Mention. "Books receiving at least one [judge's rating] of 36 or more out of 40." Two judges rated me that high.

Finalist. "Books receiving an average [rating] of 30 or more out of 40."

Winner, Alternative Universe/Reality category. This was the genre category for my entry.

Third Place, Best LGBT Book category. This was the top category for books of any genre that featured a variety of LGBT orientations/identities.

(In other news, I'm still bedbound after surgery, though my foot is showing helpful signs. In the meantime, I'm editing.)

Aug. 29th, 2016

Risk | #althistory #scifi #queerscifi #lgbtfiction

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Title: Risk.

Series: Dark Light.

Publisher: Love in Dark Settings Press.

Publication date: August 17, 2016.

Genres: alternate history | adventure | maritime fiction | military fiction | lgbtq fiction.

Tags: story collection | friendship | family | gay love | bisexual male characters | heterosexual characters | 16th-century America | 1870s America | 1890s America | 1910s America | Chesapeake Bay | Western Maryland | spirituality (reincarnation; polytheism) | mentally disabled character | torturers, guards, and prisoners | liege-masters and liegemen | masters and apprentices | masters and journeymen | masters and servants | masters and slaves | rebels and reformers | Boer War.

Word count: 100,000.

Buy link: http://duskpeterson.com/darkfics/#risk

Blurb:

"I hesitated. Was Fairview dead? Was it worth my while to risk my own life for a dead man?"

Until risk arrives, you never know how important the things are that you're required to risk.

A soldier must decide how high a price he is willing to pay for an unspoken bond. A journeyman must choose between an assured future and an untroubled conscience. A boy learns that his life is a lie and must decide which truth he desires. A servant and his beloved master face stark truths as their lives are endangered. A young torturer, satisfied with his lot, gambles everything he has ever valued to learn a new way of treating prisoners. A master must risk the future of his slave, or else risk his own future. . . . "Risk" looks at the dangers and rewards of taking risks.

This second volume of Dark Light collects two novellas (short novels), two novelettes (miniature novels), and two short stories. These tales come from Turn-of-the-Century Toughs, a cycle of alternate history series (The Eternal Dungeon, Dungeon Guards, Michael's House, Life Prison, Commando, Waterman, Young Toughs, and Dark Light) about adults and youths on the margins of society, and the people who love them. Set in the nineteenth and twentieth centuries, the novels and stories take place in an alternative version of America that was settled by inhabitants of the Old World in ancient times. As a result, the New World retains certain classical and medieval customs.
 

Volume Contents

"The Unanswered Question" (The Eternal Dungeon). No weapons, no allies, and no guarantees that he will survive the test.

"The Lure" (Young Toughs). His entire life has been a secret. Now he must rip open the secret.

"Journey to Manhood" (Young Toughs). "Perhaps, when they spoke next, the other young man could tell Simmons of any masters here who were in need of an apprentice who was perilously close to the age of journeymanship."

"Lost Haven: a master, his servant, and a disappearing island" (Waterman). Amidst a servant's nightmare, can a haven of hope be found?

"Master's Piece" (Waterman). He was his master's piece: the model for his master's sculptures. But his master was different.

"Spy Hill" (Commando). On a hot summer's day, on a high hill surrounded by the enemy, the best battle-companion can turn out to be the truth.
 

Excerpt:

He saw his master's boat long before it arrived, skimming over the afternoon-bright waters of the Bay. The closer the lithe vessel approached, the deeper the sun dipped in the sky, and the more the grey clouds huddled together like cloaked guests awaiting the start of a dinner party. Meredith began to worry that Master Carr would arrive so late in the day that he and Meredith would be trapped there overnight, with a storm approaching. Then Meredith recalled that a house awaited them, with four walls and a roof to shut out the wind and the water – a haven on an island that he had always considered a haven, since the time he left it as a child.

The Bay, which sliced like a knife between the two shores of the Dozen Landsteads, was already growing choppy from the upcoming storm by the time that the skipjack anchored, a few yards from shore. By that time, Meredith was hiding in a grove of loblolly pines, so he did not see the yawl carry Carr from the skipjack to the island. However, he did hear the uncultured voice of a servant say, "You sure you don't want us to come back, sir? Looks like a rough place to stay the night, and there's a blow coming in on the tide."

Meredith did not hear Carr's reply, but it must have been reassuring, for when he peeked out again, he saw that the little yawl was being hauled aboard the skipjack, while Carr stood on the shell-strewn beach, his back to Meredith, his hand waving farewell to the crew who had brought him to the island.

The anchor came up, the rising wind bellowed the sails full, and the crew began the painful job of turning the skipjack and tacking their way back to the Western Shore from whence they had come. They would be eager to return home, Meredith knew, for tonight was the final day of the festival week of Spring Manhood, when servants would feast in honor of their masters.

Meredith had never attended such a feast, either as a master or as a servant. He never would, he knew. He would be embarrassed to be toasted by servants who believed him to be a master, and as for receiving the joy of toasting his own master . . . It was enough that he finally had a master, after so many years spent masquerading as one.

Or so he told himself.

Pushing aside all lingering longings to live the life of an ordinary servant, Meredith waited until the skipjack was well away. Then he walked forward to join Carr, who was standing erect on the beach, watching the slender, long-necked boat depart. Meredith reached Carr just in time to catch hold of his secret master, as the heir to the High Mastership of the Second Landstead dropped to his knees and began to wretch.

Alarmed, Meredith turned automatically back to his liege-service training, holding Carr's forehead steady while wrapping his arm around his master's back. As soon as the last of the vile black-green liquid was no longer pouring from Carr's mouth, Meredith ascertained that his master remained steady on his knees. Then Meredith released Carr, searched the pockets of his own jacket, and offered the heir what he could: a clean handkerchief and a small canteen of water.

Carr accepted both, though he drank only a single gulp of water before returning the canteen to Meredith. "Thank you," he said in a faint voice, forever polite.

"Sir, are you well? Shall I signal your boat to return?" Meredith turned his eye toward the horizon. The skipjack was probably too far now to sight any signal, but at this hour, when watermen made their way home to nearby Hoopers Island, many fishing boats would be travelling alongside this western beach of Barren Island, for the eastern channel between Barren Island and Hoopers Island was too shallow for navigation. Meredith could flag down one of the boats; or if his signal-flags were ignored, the house that awaited them still had signal-fires stored in its cellar.

But Carr was shaking his head. "I'm all right. It was a bad crossing."

Meredith looked again at the waves, blood-red now from the setting sun. The waves furrowed the Bay, as though a great plow had been drawn across it. On the horizon, the skipjack bobbed its way across the furrows.

He had entirely forgotten, over all these past, joyful weeks, a passing remark that Master M Carruthers had made one day, early in their acquaintance. "I tend to get seasick," Carr had said in the midst of a recital of the boat-mastering skills he planned to acquire during the coming holiday from school.

Carr tended to get seasick; and yet he had travelled here upon Meredith's invitation, on a stormy afternoon, rather than return to their boarding school on Hoopers Island on any calm day he could have chosen.

"I think I'll walk back to school," Carr added with a touch of his usual dry humor as he rose slowly to his feet.

He was quite serious, Meredith realized. At low tide, the channel between Barrens Island and Hoopers Island was shallow enough that it could be waded, albeit at the expense of wet trousers. It was by no means the sort of activity that the heir to a landstead should undertake. Yet it was clear that Carr preferred wading like a servant to taking another boat over the water.

Appalled now at his own insensitivity and lack of foresight, Meredith said, "Master Carr, if you prefer, I would be glad to have you stay overnight at my old house. It has two bedrooms," he added as Carr turned to look at him. He did not want his master to think that he was acting like one of those servants in boys' comics, seeking to seduce his master. Aside from the single kiss that Carr had granted him on the night of their pledges to each other, light touches on the arm were all that Carr had given him so far. Meredith was still glorying in having a master who showed him any affection at all; he did not wish to endanger his service by demanding more.

Now there was a slight quirk at the edge of Carr's mouth. "A dry bed on steady ground would do a good deal to heal my stomach, I'll confess. Is your house far?"

"Just a mile from here, sir, on the eastern beach of the island. If it should please you to come this way . . ."

His original plan, born during the anxious minutes spent awaiting the start of his entrance exam for university, had been to show Carr his childhood. To take Carr to see the old haunts of his early boyhood, where he had lived before he began his terrible, painful years as a bullied schoolboy. Here on this island were the hidden havens of animals that he had found and secretly watched during those early, happy years, living alone on Barren Island with his father, keeper of the navigation beacons on the island.

Now his father was gone, learning to be a sailor in the Dozen Landsteads's Oyster Navy, which enforced the oyster laws. The lamphouse where his father had lived for the last seven years, and where Meredith had stayed during school holidays, had been given over to another lamphouse keeper. All that remained of Meredith's childhood, aside from the school where he had too many painful memories, was this island and the cozy little house where he and his father had once lived.

"It isn't very big," he explained now as he and Carr made their way around the edges of a salt marsh. "Father bought it when he first rose to the rank of master. It only has a single storey, plus an attic. It had room enough for him and my mother and one or two children. Father's liege-master loaned him the money—"

"And your father paid back the loan?" Carr paused as Meredith went forward to raise a needle-spiky branch out of his way.

"Yes, sir. He paid back Captain Pembroke long ago. My father has enough money saved now that he could buy a larger house . . . but after my mother died, there were no more children, just me, and I'll be going to university next autumn. If I'm accepted," he added with a pang of worry. He was a good student, but until recently he had assumed that he would be attending the university of his own landstead, the Third Landstead University. The university he had actually applied for had different examination questions than he had anticipated; he was still not sure whether he had passed the exam.

And if he had not . . .

Uncharacteristically – for Carr was always quick to pick up on Meredith's worries and to find ways to reassure him – Carr said merely, "Are you sure that the house will still be in good condition? It has been many years."

"Oh, yes, master," Meredith replied quickly. "Nobody comes here anymore, so there would be no thefts."

Carr raised his eyebrows. "Not even hunters?" He waved toward a long-billed willet, half-hidden in the cordgrass.

"Not these days, sir. Back in my father's childhood, it was different, because of the least terns."

Carr creased his forehead. "The least what?"

It surprised Meredith still when his master, so skilled in talk of government and politics, would reveal himself ignorant of the wildlife that had surrounded him for years. "A seabird, sir. It looks a bit like a gull, but it's smaller, with a forked tail. It likes to nest in open spaces such as beaches, so it was easy prey for the hunters, who would sell the least terns' feathers to the millineries – feathered hats are very popular among the women. My father said that, when he was a child, the beaches on Barren Island used to be entirely white-and-grey like shadowed snow, so many least terns nested there."

He paused; Carr's eyes had wandered away from him. Meredith said quickly, "I'm sorry, master. It was of no importance. I apologize for having bored you with such matters."

His throat ached as he spoke. It had always been like this with Captain Pembroke's son too. Young Master Pembroke could tolerate very little of Meredith's chattering about the island's wildlife. Why, in the name of all that was sacred, was Meredith making the same mistake with Master Carr?

Carr shook his head slowly, as though barely hearing what Meredith had said. "No, I—" Carr stopped mid-sentence, leaning against the scaly trunk of a loblolly. There was sweat on his forehead.

Concerned, Meredith asked, "Master, do you wish to make use of me by taking my arm?"

Carr gave a weak smile then. "Meredith, I can think of many ways in which I wish to make use of you, but treating you as a cane is not one of them. Lead on, liegeman."

Meredith quickened his pace; the sky was growing dark, and he did not wish him and Carr to be lost in the pine-shadowed marshland overnight. As a child, he had spent many an evening sitting beside the pond near his house – really a tidal pool – listening to the mysterious sounds of leopard frogs, muskrats, snapping turtles, fiddler crabs, herons, and marsh wrens. His father had permitted this, once he had ascertained that Meredith carried an almost magical ability to calm any animal that initially considered him a threat.

But that was many years ago, and from what Meredith had already seen during their crossing of Barren Island, the island had changed over the years. This had been a brackish pond in the old days, a mixture of freshwater and salt, but now it was entirely a saltwater marsh; he could tell that from the change in plants. The cattails he remembered had disappeared, replaced by cordgrass. There were fewer animals too; the harsher conditions of the salt marsh had driven most of them away.

It was odd; he wondered how it had happened. Then he remembered (on the edge of his memory, like a smudge of land on the horizon of the Bay) the reason that he and his father had lived alone on an island where once hundreds of people had lived.

It had occurred around the time of his birth, the final abandonment of Barren Island. His haven, as he had always regarded it, had ceased to be liveable for most of the inhabitants, who had built their houses close to the channel between Barren Island and Hoopers Island. The water had crept in, inch by inch every year, and then acre by acre. The channel that had once been ankle-high at low tide now rose far higher than that. Barren Island had begun to submerge as the waters rose, eating away at the houses and farmland.

That was eighteen years ago. Meredith's chest felt suddenly painful, as though it had been hit by an oar. He knew – he thought he knew – what they would see when they emerged from the trees.

It took Carr a long time to speak when they reached the beach. Finally he said, "Well, perhaps wading across to Hoopers Island would not be so wise an idea after all. The water seems to have risen somewhat."

Meredith could not speak. He was Carr's liegeman. Indeed, he was Carr's servant, by choice rather than by official rank. He had dual reason to ensure the comfort and safety of the young man standing beside him.

Instead, he had invited his seasick master over stormy waves to visit an abandoned island and stay at a house that was crumbling into ruins. . . .
 

Available as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Risk.

Imprisonment. Slavery. War. Love. Historical adventure speculative fiction.

About the author:

Honored in the Rainbow Awards, Dusk Peterson writes historical adventure tales that are speculative fiction: alternate history, historical fantasy, and retrofuture science fiction, including lgbtq novels and online fiction. Friendship, family affection, faithful service, and romance often occur in the stories. A resident of Maryland, Mx. Peterson lives with an apprentice and several thousand books. Visit duskpeterson.com for e-books and free fiction.

Dusk Peterson's social networks: Blog & e-mail list | Goodreads | Twitter | Facebook | Tumblr | AO3.

Jan. 22nd, 2016

January 2016 historical speculative fiction e-books, free fiction, and news

Historical speculative fiction, including lgbtq novels, original slash, and other types of diverse fiction. All e-books from Love in Dark Settings Press are DRM-free. New e-books and reissues are multiformat.

The Shining  Ones

NEW NOVELETTE: The Shining Ones (The Eternal Dungeon)

"He was skilled by now at making innocuous remarks in the presence of the Shining Ones. Nobody had even guessed that he knew what they were."

The Eternal Dungeon is filled with prisoners who shine like the sun.

No one knows this except Barrett Boyd, a guard notorious for having survived a disciplinary punishment that should have killed him. He is also notorious for his rebellion against the authorities of the royal prison. At a pivotal time in the Eternal Dungeon's history, when abusive practices of the past may finally be abolished, Barrett finds himself drawn to the mystery of a younger guard, Clifford Crofford, who claims that he and Barrett are love-mates.

Barrett has no memory of this. He has no memory of anything before his punishment. What does the past matter, compared to Barrett's determination to protect the prisoners? But Barrett cannot ignore his bond with Clifford, and the closer that Barrett comes to Clifford, the more the danger arises that Clifford will question Barrett's sanity. . . .

This novelette (miniature novel) of disability and love can be read on its own or as a side story in The Eternal Dungeon, an award-winning speculative fiction series set in a nineteenth-century prison where the psychologists wield whips.

The Eternal Dungeon series is part of Turn-of-the-Century Toughs, a cycle of alternate history series (Dark Light, Waterman, Life Prison, Commando, Michael's House, and The Eternal Dungeon) about disreputable men on the margins of society, and the men and women who care for them. Set between the 1880s and the 1910s, the novels and stories take place in an alternative version of America that was settled by inhabitants of the Old World in ancient times. One of the series in the cycle, Waterman, combines elements of the 1910s with retrofuturistic imagery from the 1960s.

Available from Love in Dark Settings Press as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The Shining Ones.


Excerpt

During the first few weeks after the 101 strokes, his only awareness had been of pain and anger. He knew dimly that the anger was not merely for his own sake. Others here had suffered needlessly. Others here needed to be protected. His own pain had come from an attempt to protect. No one here was to be trusted, except those he had sought to protect.

His first sight of a prisoner after he rose from his sickbed nearly blinded him. Leaving his male nurse nodding off to sleep, he had departed the healer's surgery and had curiously explored one of the dungeon corridors. Several dark figures that he passed tried to speak to him; he ignored them. He was more interested in the iron doors that led off the corridor. He sensed that treasure lay behind those doors, but he couldn't envision what that treasure might be.

A door opened, and through it came the sun.

He threw himself to his knees. The dark figures, mistaking the cause, tried to pull him up with their coffin-cold hands, but he threw them off, blind with the glory of what he had seen. He heard someone say, "Take the prisoner away." That was how he knew what he had seen.

He let the dark figures persuade him back to his sickbed. He needed time to think. As the days passed, he took more and more illicit forays through the Eternal Dungeon, both the inner dungeon where the prisoners and Seekers were kept and the outer dungeon where laborers worked and guards lived. He was aware of carefully swept floors, neatly painted walls, entranceways to further corridors. But it was always the iron doors that fascinated him. He waited one day, in the shadow of a corner, to see whether it would happen again.

It did. The door opened. This time, the Shining One did not emerge. He was bound to the wall, being beaten by a dark figure.

Barrett's first impulse was to kill the dark figure. But he was still weak in body, and he remembered the consequences of the last time he had tried to help one of the Shining Ones. He would not survive another 101 strokes. Should he sacrifice himself for the Shining Ones now, or should he wait for a more important occasion to do so? He forced himself to return to the surgery and think.

The next day, the High Seeker visited. There had been many dark figures calling upon his sickbed, among them a junior Seeker named Elsdon Taylor, who claimed that Barrett had worked under him in the past. Barrett ignored them all. But Barrett knew who this latest visitor was. He was the man who had laid raw stripes across Barrett's back.

For an attempted murderer, the High Seeker seemed exceedingly mild-mannered. He suggested that, if Barrett was well enough to rise from his bed on occasion, he might wish to visit the dungeon's library in order to educate himself about the world in which he lived.

It was good advice, despite the source. The next day, Barrett went to the library, accompanied by his nurse. Barrett's primary purpose for the visit was to learn what the Shining Ones were. It was already clear to him that he was the only man in the dungeon who could see the prisoners as they truly were.

If he told other people what he had seen, perhaps they would think he had gone mad; perhaps he would be locked up in an asylum. During the previous week, a mind healer had carefully quizzed him to check if the 101-stroke beating had damaged his brain, which left Barrett momentarily uncertain whether he was actually seeing what he thought he saw.

Fortunately, the library revealed the truth. He spent every waking hour there for weeks, chasing threads, until he found what he was seeking, in the very oldest books.

The ancient ones had known the Shining Ones.

Available from Love in Dark Settings Press as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): The Shining Ones.


Servant  or Slave

NEW COLLECTION: Servant or Slave (Waterman)

Is service a privilege or a chain?

Two young men face this question. Both live in the Dozen Landsteads, where life centers on the nation's Bay. One young man lives at the beginning of the twentieth century, the other in the sixteenth century. Both youths possess masters. But do the masters have their best interests at heart?

"Servant or Slave" presents a twin tale of love, faithfulness, and responsibility. It can be read on its own or as a side story in Waterman, a speculative fiction series set in an alternative version of the Chesapeake Bay region.

Volume Contents

Lost Haven: a master, his servant, and a disappearing island. Amidst a servant's nightmare, can a haven of hope be found? Meredith has brought his beloved master to the island where he spent the happiest days of his childhood. But when danger descends upon them, they must seek refuge, and Meredith must confront the tantalizing sorrows and rewards of change.

Master's Piece. He was his master's piece: the model for his master's sculptures. But his master was different. . . . As Pip longs for the unobtainable, his master finds that he is beginning to have doubts about a long-standing custom in his nation. Yet how can he risk giving up what he values most?

Available from Love in Dark Settings Press as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Servant or Slave. Includes a new Waterman story, "Master's Piece."


Excerpt (from Master's Piece)

It was the beginning of the sixteenth century, and the world was changing. Ships sailed the ocean, exploring the Old World that had been left behind long ago, in ancient times. A new faith swept the nations of the New World with fervor, promising the possibility of rebirth, not only in a future lifetime, but now. And in a small, sunny room of his castle that grew stifling hot in the summertime, High Master Fernao experimented with new ways in which to create sculptures.

Pip, his piece, stood for hours on end in the sculpting room, occasionally turning his eyes to glance through the window. Outside, fishing boats skimmed the waters of the Bay as they came to port at Solomons Island, offshore from where the High Master's castle stood. He could smell the scent of crabs as they scrabbled in their cages, desperately trying to escape their fate as they were unloaded onto the docks. He could watch as the fishermen secured their captives.

But he preferred to watch his master at work. While Pip stood in the heat, sweating and itching, High Master Fernao would carefully sculpt the cooling wax, revealing what lay within the wax. Slowly, ever so slowly, a face would emerge: a strong face, set with eyes that sought something beyond the horizon.

The face never smiled. Pip had watched the High Master try to sculpt smiles – had followed the High Master's orders to smile – but the smile was never quite right. . . .

Available from Love in Dark Settings Press as a multiformat e-book (epub, html, mobi/Kindle, pdf, doc): Servant or Slave. Includes a new Waterman story, "Master's Piece."


FREE FICTION

A new story at Archive of Our Own. This is a 2016 holiday gift story for my readers. Information about my fiction at Archive of Our Own.
 

Commoners' Festival (The Eternal Dungeon). The Eternal Dungeon is celebrating the Commoners' Festival, and all the elite are feasting. Including a man who is secretly a commoner. (Permalink.)


A reissued story at Archive of Our Own.
 

Right or Right (Darkling Plain). Linnet is trouble. Everyone agrees about that. Driven from her native barony, she arrives at Goldhollow in hopes of beginning a new life, only to discover that she cannot escape her past. As Linnet is drawn into memories of a dark young man she once knew, she must deal in the present with a boy who is headed toward danger, as well as a child-like baron who may force her to betray her past. (Permalink.)


FEATURED BACKLIST TITLE: On Guard (The Eternal Dungeon)

"'Shall we allow criminals to roam the streets at will because we're afraid to take the chance of harming an innocent prisoner?'"

The ties forged between the noble-minded Eternal Dungeon and an abusive foreign dungeon have set off an unpredictable chain of horrific events, in which the love between two of the Eternal Dungeon's Seekers (torturers) will be tested to the straining point. Caught in the middle of the struggle are Barrett Boyd and Seward Sobel, loyal guards who will find themselves questioning their most fundamental beliefs about the royal prison's ideals.

Barrett must help his Seeker determine whether their mild-mannered prisoner is an attempted murderer. His friend Seward has pledged to guard his own Seeker against an assassin . . . or should Seward be protecting the dungeon inhabitants against his Seeker? But when the guards' two Seekers fall into a lovers' quarrel, that is when the real danger begins.

This novel of friendship and gay love can be read on its own or as the fourth volume in The Eternal Dungeon, an award-winning historical fantasy series set in a nineteenth-century prison where the psychologists wield whips.
 

Available in the Eternal Dungeon omnibus from Love in Dark Settings Press: On Guard.

 
NEW SOCIAL NETWORK: Tumblr

I now have a Tumblr profile, mainly as another way to keep connected with the fanfic/originalfic communities. My website, blog, and e-mail list remain the best way to keep track of what I'm up to, but if you're at Tumblr, I hope you'll connect with me there. Here's a full list of my social networks, if you haven't seen it already.
 

2015 WORDAGE

It's a new year, so my word counts for 2015 are online. 'Twas another so-so year for productivity, but I'm hopeful of being able to bring my wordage up this year, as well as the number of new stories I publish, now that I'm not in the worst part of a serious decluttering crisis (2015), moving to a new town (2014), or horribly ill (2010-2013). Wish me luck.

November 2017

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