This comment by Musicman
is interesting enough to bump to the head of the blog:
"You could do a m/f version of one of your stories, to change the sex of one character and see if it sells on the m/f romance? Do it under a pseudonym so you don't ruin your rep as a m/m writer? It might make for an interesting experiment."
Not unless the character was Millard. :)
Filing off the gender serial numbers of my stories isn't as easy as all that. Being gender-neutral, I depend on my readers to tell me whether I do a good job of portraying male and female characters (in terms of the characters' gender-based characteristics). But I do know that, if I changed the gender of any of characters, I'd have to rip up my story settings entirely. With the exception of a couple of my contemporary stories, my story settings are either all-male or patriarchal. If you turned, say, Merrick into a woman, having a female prisoner in an all-male prison would have some impact. :) And an all-female turn-of-the-century prison would be run entirely
differently. (I've been tempted to write about turn-of-the-century female prisons, because they're so interesting.)
I have, in fact, written m/f - though, like my m/m, the romance in those stories tends not to be the central plotline in the series as a whole. At the moment, there's Right or Right
, as well as m/f subplots in Green Ruin
, Blood Vow
, and Law of Vengeance
. There are more m/f plotlines coming up in The Three Lands, Princeling, Waterman, Michael's House, and even Loren's Lashes (if I ever get around to finishing that series). And, in case you hadn't noticed, I write as much friendship fiction as m/m, so my rep as an m/m author was ruined long ago. :) I hold to the theory - also held by Maculategiraffe, Manna Francis, and many other original slashers - that there's no need for segregation of orientations in fiction series.
The issue is really one of marketing. I don't have enough m/f stories to effectively market myself as an m/f writer. So I'd either have to gradually accumulated enough stories in that subgenre (which I'm happy enough to do), or I'd have to immediately put my m/m stories aside to work on m/f, with no guarantee that I'd be any more likely to earn money as an m/f writer than I do as an m/m writer. As you can imagine, I'm not keen on the latter idea.